GET TO KNOW THE ARTIST - MIKE DELMAR

Here at Chulo we wanted to showcase the creatives with a Q&A to dive a little deeper into the Artists inner workings - today we spotlight artist Mike Delmar.

Tell us a bit about what keeps your creative juices flowing, do you search for inspiration or does it come naturally?

Inspiration is a massive blessing when it hits. Sometimes it hits like a log and you can’t think of anything else except the things it inspires. Sometimes it’s sneaky and when you’re stuck on an idea for days, you wake up with a screaming lightbulb above your head demanding you do something about it. And sometimes it comes and goes only to be forever forgotten. I keep a log of the things I plan, which is pretty hilarious to read back: random keys words I’m sure meant something profound at the time; juvenile musings; grandiose concepts beyond my capabilities. But I’m sure bits and pieces of them all eventually end up on a page somewhere somehow.


What's been your favourite project to date and why?

I love print works. I always romanticise my days working for the Roundhouse more than 15 years ago (god that makes me feel like a dinosaur). Band posters, party posters, wall art. Total freedom to stick anything on a poster and print a whole suite of merchandise for it. That said, I never was very good at cataloguing my work back then, so I’m sure most of it aint as cool as I remember it to be.


Tell us a bit about your process, do you start off searching for reference and sketching?

I can be pretty arrogant and do a lot of stuff from memory, or my imagination, but it always pays to reference. You can only really get to the essence of an image by understanding the subject matter to the best of your ability. Thumbnail sketches, layouts, grid work, drafts. They all contribute to the final product in a way that improves it somehow. Warm ups are also huge. I’m lucky I work in a role where I spend a lot of time concepting, and doing fast impressions of ideas, so I get to flex those muscles regularly. You gotta pay your dues with those things. 

What made you want to pursue a career in the arts and do you have any tips for up and coming artists looking to do the same.

I’ve never been much of a wise man. Never been very good at strategy or logistics. I dream a lot and spend a lot of my time trying in vain to get to the essence of banal and theoretical questions. I get lost in history and pop culture and pretend I’m an anthropologist. It’s sort of pathological in a way, but growing up I always knew I needed to channel it somehow, it was just plain sight for me. When I grew up and thought I should get serious about life I deviated from the path and tried law. I just felt empty not creating. I had this niggling voice calling me back to image making. Being where I am now, doing what I’m doing, just feels right. If I had any advice for up and coming artists, or anyone for that matter, it’d be listen to that voice. Its worth it. All that shit people say about not doing what you love is exactly that: bullshit. 

But maybe I’m an idealist.

Check out Mike Delmar’s latest work here. For more portfolios from Chulo Creatives Artist stable click through here , also get in touch with Chulo Creative if you are interested in commissioning an artist for your next campaign.

Stories in paint by Grant Molony, Russ Molony & Jason Goulding

Our recent mural for Hubspot in Sydney city. We sat down with Grant Molony to listen and learn more about their story behind this mural.

This mural portrays an emotional cultural connection, tell us a bit about the story and your inspiration?

The Whale is very important as a symbol of connection between coastal mobs through the migration story. My brother's dot work is showing travel and significant sites along the coastline like breeding grounds. It is built off a black base to show the night sky with stars a very important navigation tool.

How do you create such a harmonious and balanced artwork while collaborating with two other artists - Russ and Jason ?

I think it has been built over years of working together basically coming down to complete trust in each other's work with a common goal of producing something we are proud to put our name to. 

Before putting paint to wall, how did you want your design to deliver in the space?

We wanted the design to flow and exaggerate length while still being readable with the elevator bays becoming an invitation to interact with the work. This will be a piece where you continually notice small details rather than viewing the work once and taking it all in. 

Tell us your favourite go-to techniques/processes with creating such an intricate and detailed mural?

Layering is the foundation of all our team's work. It allows both room to breathe while giving the viewer opportunities to discover new intricacies each time they view the work. In this mural I especially love how the work reflects off the glass to both appear to float and perfectly mirror the work.

Check out Grant Molony latest work here. For more mural portfolios from Chulo Creatives Artist stable click through here. Get in touch with Chulo Creative if you are interested in commissioning a mural artist.

WELCOME TO THE ARTIST CREW - KILLING TIME

Here at Chulo we wanted to showcase the creatives with a Q&A to dive a little deeper into the Artists inner workings - today we spotlight newest member, Killing Time.


Tell us a bit about what keeps your creative juices flowing, do you search for inspiration or does it come naturally?

I find it hard not to be inspired. Everywhere you look you can find great design. Even shit design inspires me to do better. 

What's been your favourite project to date and why?

Glen Huntly wayfinding mural. Simply because the client trusted me with my vision and let the type do the talking. 

Tell us a bit about your process, do you start off searching for reference and sketching?

I don't do anything without a series of thumbnail sketches. I find if it works in miniature, it translates to large scale. 

On a big, creative project, I look up at least 5 artists I know that have nailed something similar. Then I just take some time to appreciate how and why. 

What made you want to pursue a career in the arts and do you have any tips for up and coming artists looking to do the same.

I always loved design and signwriting but I never wanted to hustle on behalf of someone else. When I got into hand-painting, I knew this was going to be my career and I had to do it my way. 

Confidence and footwork. Come prepared, have a plan and don't be afraid to learn on the job. 

Check out Killing Time Studio’s latest work here. For more portfolios from Chulo Creatives Artist stable click through here. Get in touch with Chulo Creative if you are interested in commissioning a mural artist.